Albert Lotto was the strong, richly collaborative pianist in the Beethoven and Brahms works, and Carol Stcin Amado was the capable violinist.Looking closely at the sentence, the usage in this sentence isn't in relation to Albert Lotto as a "collaborative pianist", but as a pianist with "strong, richly collaborative" abilities. Could Samuel Sanders have read this specific Joseph Horowitz review, prompting him to coin a new term for the entire accompanying field?
While you're contemplating, here's a video of Albert Lotto playing the Liszt Sonetto del Petrarca #104 in 2009. As always, your comments and reminiscences on this issue are welcome.
